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The Virgin as the Woman of the Apocalypse, Peter Paul Rubens

So where are Mary's real birth pangs?

Peter Paul Rubens, The Virgin as the Woman of the Apocalypse, c. 1623–1624 · J. Paul Getty Museum · Public domainPeter Paul Rubens, The Virgin as the Woman of the Apocalypse, c. 1623–1624, J. Paul Getty Museum

ConnectionChapter 6 · 6.2 Mary's Birth Pangs · pp 124–130

Birth of the Messiah

From Jewish Roots of Mary, based on Brant Pitre

The idea

At the cross. Revelation's Woman 'in anguish to give birth' and Jesus' image of a woman's sorrowful 'hour' turning to joy point to Mary's true travail at Calvary, where she brings forth God's children. 'Birth pangs of the Messiah' was a Jewish term for the tribulations before the age of salvation.

Key verses

  • Revelation 12:2 — the Woman 'in anguish for delivery.'
  • John 16:21 — a woman in labor has sorrow 'because her hour is come,' then joy; John 16:20 — 'your sorrow shall be turned into joy.'
  • Revelation 12:5 — the child 'caught up' to the throne the moment he is born: a symbol of death and resurrection, not an infancy (pp 126–127).

The connection

Old Testament rootNew Testament fulfilment
The birth pangs before salvation→Mary's travail at the cross births the Church

The Woman of Revelation cries out in labor, and Jesus likens a woman's sorrowful 'hour' turning to joy. Pitre locates Mary's real travail at Calvary, where her suffering brings forth the children of God — the Church.

Sources

Connections

Verses cited · 4

  • a woman in labor has sorrow 'because her hour is come,' then joy; John 16:20 — 'your sorrow shall be turned into joy.'

  • a woman in labor has sorrow 'because her hour is come,' then joy; John 16:20 — 'your sorrow shall be turned into joy.'

  • the Woman 'in anguish for delivery.'

  • the child 'caught up' to the throne the moment he is born: a symbol of death and resurrection, not an infancy (pp 126–127).

Authorities cited · 2

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