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Interior of St. Peter's, Rome, Giovanni Paolo Panini

Catena Aurea on Mark 15:38–41: Theophylact of Ohrid

Giovanni Paolo Panini, Interior of St. Peter's, Rome, c. 1754 · Public domainGiovanni Paolo Panini, Interior of St. Peter's, Rome, c. 1754

CommentTheophylact of OhridPublic domainMark 15:38–41

Again, God by the rending of the veil implied that the grace of the Holy Spirit goes away and is rent from the temple, so that the Holy of holies might be seen by all; [ed. note: The sense of the passage by reference to Theophylact appears to be, that as the Jews used to rend their clothes as a sign of grief, so the temple by the rending of its veil might be said to mourn.] also that the temple will mourn amongst the Jews, when they shall deplore their calamities, and rend their clothes.

This also is a figure of the living temple, that is, the body of Christ, in whose Passion His garment is torn, that is, His flesh.

Again, it means another thing; for the flesh is the veil of our temple, that is, of our mind. But the power of the flesh is torn in the Passion of Christ, from the top to the bottom, that is, from Adam even down to the latest man; for also Adam was made whole by the Passion of Christ, and his flesh does not remain under the curse, nor does it deserve corruption, but we all are gifted with incorruption.

“And when the centurion who stood over against Him saw.” He who commands a hundred soldiers is called a centurion. But seeing that He died with such power as the Lord, he wondered and confessed.

Reproduced in full. Translation: Oxford 1841 (Newman), public domain (Public domain).

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