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King David and his musicians, Psalter of Charles the Bald, Palace School of Charles the Bald

A kingdom needs a queen — the four marks of the gebirah

Palace School of Charles the Bald, King David and his musicians, Psalter of Charles the Bald, before 869 · Bibliothèque nationale de France · Public domainPalace School of Charles the Bald, King David and his musicians, Psalter of Charles the Bald, before 869, Bibliothèque nationale de France

TypologyChapter 4 · 4.0 Opening · pp 66–73

Queen Mother

From Jewish Roots of Mary, based on Brant Pitre

The idea

The gospel is the arrival of a kingdom — 'the empire of God' — and God promised David a throne 'for ever.' Jesus is not only a new Adam and a new Moses but a new David, so the question follows: 'If Jesus is the new Davidic king, then who is the new queen?' Pitre answers from the Old Testament's portrait of the queen mother (gebirah, 'great lady') under four heads: the queen is the king's mother, not his wife; she reigns with the king; she is a powerful intercessor; and she appears in the prophecies of the future king. He then imagines first-century Jewish women asking not only 'Who will be the mother of the Messiah?' but 'Who will be the new queen mother?'

Key verses

The connection

Old Testament rootNew Testament fulfilment
The gebirah beside the Davidic king→Mary beside Christ the King

The queen-mother chapter is a syllogism built on the book's Christology-first rule: the gospel is a kingdom, the king is a son of David, and a Davidic kingdom has a queen mother.

Connections

Topics · 2

Verses cited · 4

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