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The Virgin as the Woman of the Apocalypse, Peter Paul Rubens

The crown of twelve stars, Revelation 12 built on Isaiah 7, and a heavenly king implies a heavenly queen

Peter Paul Rubens, The Virgin as the Woman of the Apocalypse, c. 1623–1624 · J. Paul Getty Museum · Public domainPeter Paul Rubens, The Virgin as the Woman of the Apocalypse, c. 1623–1624, J. Paul Getty Museum

ConnectionChapter 4 · 4.2 Mary the New Queen · pp 79–81

Queen Mother

From Jewish Roots of Mary, based on Brant Pitre

The idea

A crown in antiquity was 'one of the symbols of royal identity and authority,' and this one is of twelve stars, 'which clearly symbolize the twelve tribes of Israel' (Genesis 37:9–10): the Woman is 'the queen of the people of God,' her crown 'a share in Christ's kingship.' Pitre's table sets Isaiah 7:13–14 against Revelation 12:1–2, 5 — a sign in the height / in heaven; the virgin with child / the woman with child; she will bear a son / she bore a son — 'even clearer in Greek.' Three consequences: the Woman is an individual (only one virgin conceived the Messiah); John of Patmos read Isaiah 7 messianically as Matthew did; and the mother of Immanuel is the royal queen mother. Finally, the Woman stands 'in heaven' as her Son is 'caught up' to the throne: 'Just as Jesus is a heavenly king… so Mary, Jesus' mother, is a heavenly queen' — 'the queen of the cosmos,' in a Protestant scholar's phrase.

Key verses

The connection

Old Testament rootNew Testament fulfilment
Isaiah's sign: the virgin with child bears a son→John's sign: the Woman with child bears a son — and reigns in heaven

'Queen of Heaven,' properly understood, is simply what follows from a heavenly King: the mother of a Son enthroned in heaven is the queen mother of heaven.

Sources

Connections

Topics · 2

Verses cited · 4

Authorities cited · 1

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